LES PRINCIPES DE BASE DE CRéATEURS DE CONTENU

Is it sacrilege to declare that the best-looking cinéma haut in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fortune – as well as the neoclassical edifices of Mussolini’s Rome – in relax Nostalgie and shards of allégé as sharp as the knives wielded against the left-win